Shall we start with Pavement? Yes, let's.
And then. Oh, my. Kate Gilmore's installation and video at The Whitney Biennial. So fucking good. And I LOVE that the partially unseen scene of the crime is in the room with the video. It's been a blast to see Gilmore move some of her work out of the studio and into the sites. It adds a dimension of physical tension to watching the videos. There she is. There she was. Here you are. Bring your body.
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